Moon Scripture is a symbolic meditation on the presence of the moon in human consciousness—a vessel for meaning, mystery, and timeless influence. It belongs to a broader series of scripture paintings that emerge from an ongoing inquiry into the universe: its origins, its elusive structure, and the implications these carry for how we perceive reality.  

 

The moon, in this context, is not depicted but invoked. It stands as a symbol of the unknown—quiet yet constant, always present yet always out of reach. For millennia, it has guided calendars, rituals, and tides. It governs cycles, influences the body, and stirs the imagination. In *Moon Scripture*, its significance is not visual but conceptual: a metaphor for the hidden, for the parts of existence that remain veiled and unexplained.  

 

Across the composition, delicate lines resembling coded inscriptions or intuitive symbols stretch and weave—gestures that suggest communication without language. These marks are not meant to be read but felt, as if they originate from a deeper, older system of knowledge.  

 

The painting asks the viewer to consider what is inherited through silence, what is passed down not through culture but through the natural rhythm of existence. The moon, as the quiet observer of our planet's turning, becomes the guardian of these nonverbal truths—an eternal witness to human vulnerability, longing, and transformation.  

 

*Moon Scripture* is not about the moon itself, but about what the moon represents: the tension between presence and absence, the pull of something greater, the reflection of a light we do not generate but still navigate by. It is a symbol of inner gravity, of intuition, and of the unrecorded history written in cycles rather than in lines.  

 

This work invites contemplation of where meaning comes from, and whether—like the moon—it does not speak, but waits patiently to be noticed.